Debra Liel-Brown
Original Paintings and Archival Prints
Studio visitors are welcome, please phone first 02 4987 7947
59 Clyde Circuit, Raymond Terrace, NSW, Australia. E: debra-liel-brown@iinet.net.au
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Copyright owned by Debra Liel-Brown Scroll down to see seven paintings. See the bottom of the page for prices.
Above - 'Myall River'
Acrylics on paper, 130cm x 48cm,
Original painting sold.
Available as a limited edition print the same size as the original.
Above - 'Under the Boardwalk'
Acrylics on paper, 125cm x 55 cm,
Original painting sold.
Available as a limited edition print the same size as the original.
copyright Debra Liel-Brown
Above - 'Rainforest Swimming Hole'
Acrylics on paper, 100cm x 65cm
Available as a limited edition print the same size as the original.
Above - 'Picnic'
Acrylics on paper, 103cm x 83.5cm,
Available as a limited edition print the same size as the original painting.
Above - 'Swimmingly'
Acrylics on paper, 98cm x 68cm,
Original painting sold,
Available as a limited edition print the same size as the original.
Right - Detail from 'Swimmingly'.
Above - 'The Ladies Pool, Allyn River'
Acrylics on paper, 105 cm x 75 cm,
Original painting sold,
Available as a limited edition print the same size as the original.
Above - 'Meditation'
Acrylics on paper, 105 cm x 75 cm,
Original painting sold.
Limited edition prints available.
Original Paintings
Originals are in acrylics and take approximately 4 months to complete. The average price for a framed original is $6,000 - $7,000.
Museum Quality Archival Giclee Prints
There are only 25 prints in each edition and they are the same size as the original painting.
The average price for a print (the same size as the original painting) is $1,050 - print only, in a roll - no framing.
The average price for a framed print is $1,450.
Giclee Prints (pronounced Gee-clay)
Giclee prints are the highest quality print for fine art reproduction. A Giclee print uses acid-free paper (360gsm Photo Rag) and lightfast
pigments, ensuring the colours will remain vibrant. They are as close to the original as is possible, not only in colour, but
also texture, showing individual brush strokes and raised lumps of paint.
To make the print, the original painting is scanned. Scanning picks up details that photography cannot record. Then, colours are matched to
the original. When the artist and printer are satisfied, an 'artist's proof' is made to the same size as the original painting. The artist's
signature is removed from the print image and the artist signs and numbers each print on the white border below the image.